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LIE 091 LIE 091 THE WINTER JETS - "Five songs" (5 songs)

Pop, folk and a bit of experimentation from London.

LIE 092 LIE 092 EASTON/GRAPES OF GRAIN - "Some valley" (13 songs)

A split cassette featuring two bands from the Netherlands, both of which are the brainchild of Alexis Vos and show his passion for mixing pop music and folk, sometimes leaning more towards the former (Easton) and sometimes putting a stronger emphasis on the latter (Grapes of Grain).

LIE 093 LIE 093 THE HIGHER ELEVATIONS - "Who’s sleeping" (11 songs)

Ace garage pop from Sweden, featuring Television’s Richard Lloyd playing lead guitar on one tune and Ylva Lindberg (Friday Bridge) singing on another.

LIE 094 LIE 094 SCHROEDER’S SONGBOOK - "Mix tapes and mistakes e.p." (5 songs)

Home-recorded power pop from the D.C. area.

LIE 095 LIE 095 THE HAIRCUTS - "Up up and away with the haircuts" (6 songs)

Sweet and tender bedroom pop by yet another project involving Ryan Marquez of Sodajerk and Apple Orchard. Features a cover version of Eric’s Trip’s “Sand”.

LIE 096 LIE 096 THE DANNY SAYS - "Not like that" (7 songs)

Fast and bouncy guitar-driven tunes by the latest pop sensation from Sweden.

LIE 097 LIE 097 THE MARCH FOURTH - "What we did on our Summer vacation – Part II" (7 songs)

Gorgeous melodies with a slight ambient feel and one noisy bit of experimentation produced by Charles Newman (of Magnetic Fields fame).

LIE 098 LIE 098 CLARE - "Ease" (8 songs)

Clare makes us proud once again with more of their shy, tender and delicate electronic pop.

LIE 099 LIE 099 JEAN PILOT - "The art of falling down a mountain" (8 songs)

Jean Pilot is Jens Stääf, a very prolific and just as eclectic Swedish musician, who caught our attention with his catchy pop fitting halfway between contemporary indiepop and early Eighties synth-pop.

LIE 100 LIE 100 PHOTOBOOK - "Shimmering lights are pointing out the way" (9 songs)

Photobook is an English band that, just a few weeks ago, left us speechless with a nine-song demo recorded on a four-track tape recorder, using old organs and drum machines, childrens toys and what not. The recordings were then manipulated to speed them up/slow them down/reverse them to make some of the sounds. If, along with post-rock, such a genre as post-pop existed as well, this would definitely be it.